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- Contact：王义
- Phone：0537-2369994
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 rr>The philosophy of Wang Yi Classical Culture and Art Furniture is: to be a century-old brand, to be a cultural industry rather than a commerce, to be a work of art rather than a commodity, to integrate the culture of the ages, to be a century-old brand. Wang Yi Culture and Art Furniture is mainly made of authentic Laos red rosewood. It has now become its own school. Domestic mahogany furniture is generally divided into three schools: Guangpai (i.e. Guangdong), Supai (i.e. Suzuo), and Jingpai (i.e. Supai). That is, made in Beijing), Guangpai furniture has large materials but rough workmanship. Supai furniture has fine workmanship but uses smaller materials. Jingpai furniture is more powerful and has a strong official flavor. It is between Guangpai and Supai, but uses smaller materials than Guangpai. Wang Yi furniture is a perfect combination of the three advantages of the Guangzhou style furniture, large materials, Suzhou style fine workmanship, and Beijing style furniture, and is superior to all other styles. Therefore, it is unique. This kind of perfectly combined furniture is the first of its kind in China. Wangyi Furniture insists that it can only be considered qualified if it is well evaluated by knowledgeable people, and such furniture is made with care. In order to ensure craftsmanship, Wang Yi Furniture does not pursue output, only quality. To make truly good furniture, you must have enough time. Good art furniture requires at least half a year or even more than a year. Some furniture may be made of a different piece of material, and if the carving is even slightly different, the price will be different, and the collection value will naturally be different. Good furniture cannot be painted, only waxed. Finely crafted furniture must be viewed in a place with bright light. Only with bright light can the details be seen clearly. Details are the standard that determines the quality of furniture craftsmanship. It is tangible when viewed from a distance, and spiritual when viewed up close. The carvings must be vivid and the knife skills must be smooth. Furniture with rough workmanship will not stand up to scrutiny if the light is too bright. Wangyi Furniture has created five firsts in China: the first to break the rules and combine the strengths of others to create a unique style of art furniture; the first to directly dare to be called a brand of cultural and artistic furniture; the first to be based on the standards of carving handicrafts. The first brand to carve and make furniture that positioned itself at the level of culture and art from the start. The first brand to advocate that the artistic value of furniture should exceed the value of mahogany.
r rr r: br> What Wangyi Furniture highlights is its cultural connotation and artistic attainments. This kind of positioning is not available among its peers. It is the first company in China to build a cultural brand. The word "culture" is a very broad and inclusive word. The essence of China's five thousand years of culture is contained in this word "culture". Mr. Zhang Yefa, Vice Chairman of the Chinese Calligraphers Association, Chairman of the Shandong Provincial Federation of Literary and Art Circles, and Chairman of the Provincial Calligraphers Association, gave high recognition to Wang Yi Furniture: Wang Yi’s classical furniture is the perfect embodiment of the essence of national culture and the soul of art. Mr. Wei Qihou, a great 20-year-old calligrapher, commented: Wang Yi Furniture is valued for its art! Mr. Duan Yupeng, chairman of Jining Calligraphy Association, praised: Wang Yi’s classical cultural and artistic furniture inherits the excellent humanistic spirit of Ming and Qing furniture and is truly a unique standout of national culture! The culture in Wang Yi's furniture refers to China's famous and representative historical themes, such as Wang Xizhi's "Lanting Preface", "Eighteen Scholars of the Tang Dynasty", "Hundred Sons", "Along the River During the Qingming Festival", "Eight Immortals Crossing the Sea", etc. He believes that these calligraphy works The book is a historical theme with a strong book atmosphere. It shows the peace of the country and the people, the harmony between heaven and earth, and the background of the peaceful and prosperous times. It makes people feel relaxed and happy, refreshing and pleasing to the eye. The artistic conception is long and represents the taste of a person, a nation and a country. In order to ensure and restore the true connotation of culture and art, the maps used in the carving and production of Wang Yi Furniture are all old-fashioned maps: there are old and new maps. The old maps have complex patterns, high difficulty in carving, and extremely high cost of making furniture. It is not easy to promote new maps because later generations of craftsmen repeatedly deleted the complex details in the old maps in order to reduce the cost of making furniture, so that the old maps were almost lost. For example, the old map of "The Immortals Celebrating a Birthday" has many people in it. The new map only has multiple people, which makes a big difference. What Wang Yi Culture and Art Furniture pays attention to is that good furniture should not only have good wood, but also the material selection should be accurate, and the color should be relatively consistent. For example, the table top and the seat surface of the chair should have good natural patterns, which are commonly referred to as grimaces among the people. A good selection of materials should also be accompanied by good historical themes, deep cultural connotations, exquisite carving skills, beautiful patterns and vivid details. In particular, characters are the most difficult to carve, and they must have charm and life. For example, "Preface to the Orchid Pavilion", "One Hundred Sons and One Hundred Blessings", "Along the River During the Qingming Festival" and other good landscape and figure-themed pictures are made into furniture. Since ancient times, they have been a symbol of the level of carving technicians and have always been the standard for classical furniture. Peak masterpiece. If the craftsmanship of the furniture is not good, no matter how good the wood is, the collection will only be wood, not culture, let alone art. Why promote cultural and artistic furniture into the home? Furniture with cultural connotations can reflect the development of a country and an era as well as the taste and cultivation of a person and a family. More importantly, when a person returns home after a tiring day at work or is upset and sees the exquisite patterns on the furniture, the more The more fascinating it becomes, the more it makes people feel as if they have entered a paradise in the world, feeling relaxed and happy, with a long artistic conception. This is the reason why dignitaries, literati, and businessmen have owned cultural and artistic furniture since ancient times. |
| Company Name： |
Wang Yi Classical Culture and Art Furniture Hall, Jining High-Tech Zone |
Company type： |
个体经营 () |
| location： |
Shandong/Jining City |
Company Size： |
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| Registered capital： |
unfilled |
Registration year： |
2009 |
| Data certification： |
 |
| Security deposit： |
Already paid 0.00 元 |
| Business Scope： |
Wangyi mahogany antique furniture, Laotian redwood, Ming and Qing dynasty antique furniture |
| major business： |
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